-an OD of Love-

 The Penguin, a new series which dives deep into the grim underbelly of Gotham, following Oswald Cobblepot—a character who’s often overshadowed by Gotham’s more infamous figures but is given center stage here. Colin Farrell reprises his role from The Batman, brilliantly transforming Cobblepot into a complex antihero who teeters on the edge of villainy and sympathy. His performance is masterful, blending ruthless ambition with the vulnerability of someone who's clawed his way up through a brutal world. The series is a slow-burn descent into Gotham’s criminal landscape. The narrative doesn’t just rely on flashy action but rather crafts a tense, almost noir-like atmosphere where danger is always lurking. Through clever writing, we get a nuanced portrayal of crime families, alliances, and the treacherous nature of power in Gotham—a refreshing shift from the traditional good-versus-evil dynamics often seen in superhero media. Visually, The Penguin is stunning. The cinematography plunges...

 A Man Called Otto is an absolute gem of a film that manages to be both heartwarming and amusing in the most delightful way. Tom Hanks delivers a brilliant performance as Otto, a grumpy, no-nonsense man whose exterior hides a deeply touching story of loss, love, and second chances. While the character’s crankiness initially steals the show, it's the unexpected humour and wit sprinkled throughout that make this movie so enjoyable to watch. The film's real magic lies in how it balances its emotional depth with moments of light-hearted comedy. Otto's interactions with his quirky, overly friendly neighbours lead to some hilarious yet tender moments, softening even his hardest edges. The humour is subtle but incredibly effective, making you chuckle one moment and tear up the next. By the end, A Man Called Otto is a journey worth taking, as it reminds us of the importance of connection, community, and the possibility of finding joy even when life feels at its lowest. It’s a feel-...

 Brassic, right, is the kind of series that punches you in the gut, then buys you a pint. It’s a glorious, foul-mouthed, chaotic mess that somehow manages to be both utterly bonkers and deeply heartfelt at the same time. Imagine a drunken romp through the north with a band of lovable idiots, only every now and then, it smacks you over the head with a profound insight about life, friendship, and mental health. At its core, Brassic is a love letter to the working-class hero, the kind of bloke who lives for the next daft scheme but has a heart as big as his overdraft. You’ve got Vinnie, played by Joe Gilgun, who’s like the unhinged cousin of every lad you’ve ever met down the pub, but with the weight of the world on his shoulders. One minute he’s stealing a Shetland pony, the next he’s having an existential crisis. And it’s bloody brilliant because that’s how life is, isn’t it? One big rollercoaster of bad decisions, hilarious consequences, and then a quiet moment where you suddenly r...

 Right, let’s get this straight from the top: Joker 2 is an absolute car crash of a movie, and I’m not talking about the exhilarating, rubber-burning kind that leaves you on the edge of your seat. No, this is the kind of crash where you’re left wondering how it’s even possible that everyone involved thought it was a good idea. And not even Lady Gaga’s megawatt star power can save it from the flaming wreckage. In fact, she’s more like the poor sap who’s left holding the steering wheel as the whole thing spirals out of control. Now, back in 2019—when the world hadn’t yet started its steep descent into apocalyptic chaos—Joker was a bona fide sensation. Whether you loved it or hated it (I personally thought it was bloody brilliant), you couldn’t deny its impact. Joaquin Phoenix nailed it as the mentally ill clown with a penchant for stand-up comedy and, well, murder. It raked in awards, made a billion at the box office, and had all the intellectuals clutching their pearls over whether ...