Sinners: Proof that the Devil has all the Best Tunes
Modern cinema has become a bit like a modern electric hatchback: clinically efficient, eerily quiet, and possessing all the soul of a microwave oven. You sit in the dark for two hours, watch a man in spandex punch a CGI cloud, and leave feeling like you’ve just spent the afternoon at a health and safety seminar. But then, along comes Sinners. And suddenly, it’s like someone has lobbed a live grenade into a library. Ryan Coogler hasn’t just made a movie; he’s bottled the humid, bone-chilling dread of the 1930s American South and spiked it with something supernatural and deeply, deeply angry. It’s dark, it’s visceral, and it has the kind of tension that makes you feel like you’re trapped in a lift with a Doberman that hasn’t been fed since Tuesday. However, we need to talk about the real star of the show. It’s not Michael B. Jordan—who, let’s be honest, is excellent, but always looks like he spends far too much time in the gym lifting heavy pieces of iron just for the hell of it. No. The...